I was awarded a Scholarly and Creative Activities seed grant of $2000 to support the production of up to 300 autonomous units that I talked about in my research in a post from 2010.We will be able to produce a wide number and range of these units which would are stable enough to withstand normal climate changes. I want to install the work in outdoor locations for extended periods of time. The grant is going to really help with the costs of this project; I am most excited about hiring research assistants from my advanced students.
I wasn’t sure why I wanted to install these in the natural setting until I had a few more experiences living with the work. I was living amongst a limited number (ten or so) of the autonomous singers and I began to notice some interesting phenomena.
The song from ten of these units was really complex. It shifts through alignment and interference of the signals and create a complex set of rhythms. An electronic musician was visiting the studio one night and we had a very interesting discussion about the how work exhibits the basics of emergence theory . My second observation is that throughout the day the chirps emitted change as the angle of the sun/shade, clouds, etc. would move by. This emergent chorus shifts with the environment; the changes create a soundscape that is directly tracking the movement of time and really resonated on physical level. It is an ecosystem of input and response emerging. It is very strange and wondrous, you can feel this deeply and intuitively.
this is a databent audio interpretation of electrons jumping around the shared valences of atoms. inspiration came from the video of the 2D crystalline structure of graphite, aka Graphene, from UCB labs. that video is at: www.youtube.com/watch?v=V1qWmrp6GAs the video data was reinterpreted as an audio file to create an ambient track.
we are not as much a city as we are a region and the weather is dramatic here. in June 2012 we experienced a severe weather event, between 9 and 12 inches of rain fell in only a few hours. i pulled the radar image composite for the period around this event and used it as a Raw file to start the databend.
i have started another collaboration with James Stone, we have ‘formalized’ our relationship by registering mr-bricolage.us. we have proposed a new phys comp project workshop for ISEA2011 in Istanbul. it item is wearable tech that sonifies objects that are touched by the actor. we see this as a platform for performance and activism.
Mr. Bricolage, Asmuth and Stone, propose a DIY wearable technology workshop at ISEA 2011 for activists, performers, and community members. The workshop will consist of demonstrations, discussions about strategies for use, and most importantly a hands on workshop to build Touchstone devices. The culmination of the workshop will be a local performance and/or action.
Touchstone is a mobile and tactical media broadcast platform worn on the hands of performers and activists. Touchstone is an strategy for contesting the urban/performance landscape rather than a product.
The technology of Touchstone is built upon audio exciter circuits embedded in gloves which transform the hands of an agent into broadcast transmitters. Touchstone agents activate objects as a temporary/ad-hoc public address systems, by simply pressing their palms against it. Touchstone is a discrete technology platform: (1) it is virtually invisible on the garb of a performer/agent and (2) it is light and flexible; agents or performers can easily move (or escape). Moreover, it is a cinch to produce; the system does not require advanced electronics knowledge and is easily assembled from surplus, inexpensive, and/or widely available consumer technology.
Asmuth and Stone eagerly hope to collaborate with performance and activist groups from Istanbul or the adjacent regions. The team would appreciate any help from the ISEA community in locating organizations that would be interested in utilizing this platform.
Keywords: body; sound; broadcast; collaborative; hacktivism; low tech; wearable; DIY; tactical media; performance
Authors: James Stone, Thomas Asmuth
Go to mr-bricolage.us for more details